Studio Bones put their best foot forward from minute one, chronicling the final night of the Dragon’s Head Conflict, the bloodiest battle in Yokohama’s criminal history. At its core, it’s about Atushi, Kyouka, and Akutagawa, but Chuuya plays a major role as well, and Dazai, Fyodor, and Shibusawa steal every scene they’re in. One of this film’s most impressive traits is the way it balances characters. Their only lead is a man named Shibusawa Tatsuhiko, the “Collector,” but before they can get anywhere, fog envelops the city, making everyone but the Gifted vanish, forcing those left behind to fight against their own powers.Ĭomplicating matters further, Dazai appears to be colluding with Shibusawa, with the assistance of then-new-character Fyodor Dostoevsky, creating a mystery about Dazai’s allegiances and his plan.
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Asagiri has always been heavily involved in the show's creation, and the film’s script similarly retains his quality of storytelling.ĭead Apple follows the Armed Detective Agency as they investigate a strange series of events where Gifted individuals are being killed by their own abilities in what appear to be suicides.
The enthusiasm for creating something that is immensely rewatchable, with captivating visuals and equally captivating dialogue, is easily felt in interviews about the project. The creation of this film makes for a satisfying story itself, such as the staff at Bones going to a campsite retreat to plan out the production.
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